Skip to content
General

Awiting Bayan Examples: What the Curriculum Actually Lists

By SchoolFinderPH TeamAugust 17, 20268 min read
Awiting Bayan Examples: What the Curriculum Actually Lists

TL;DR: The DepEd MATATAG Filipino curriculum guide for Grades 2 to 10 places awiting-bayan in Grade 7, first quarter, as one of three categories of literature from the Panahon ng Katutubo. It names seven types and leaves the list open: dalit, oyayi, kundiman, diona, dung-aw, soliranin, talindaw at iba pa. The guide does not define them, which is why textbook glosses differ. Well-known regional folk songs make good examples, but two of the songs most often submitted as awiting bayan are not folk songs at all: Lupang Hinirang is the national anthem under Republic Act No. 8491, and Sarung Banggi has a documented composer.

If you were sent here by a Filipino 7 activity sheet asking for examples of awiting bayan, the fastest way to get the answer right is to look at what the curriculum itself lists, then pick songs that actually fit. Most of the lists circulating online mix folk songs with composed popular songs and with the national anthem, which is exactly the error the analysis questions are designed to catch.

Where the Term Sits in the Curriculum

The MATATAG Curriculum was issued under DepEd Order No. 010, s. 2024, the Policy Guidelines on the Implementation of the MATATAG Curriculum, covering Kindergarten to Grade 10 and rolled out in phases beginning with Kindergarten and Grades 1, 4 and 7. Our MATATAG curriculum guide covers the rollout side.

Inside the Filipino curriculum guide, awiting bayan appears in one place: Baitang 7, Unang Markahan, under the heading Mga Tula sa Panahon ng Katutubo. The guide lists three parallel categories there:

  • Tula at Karunungang bayan — bugtong, tanaga, sawikain, salawikain, kasabihan
  • Awiting-bayan — dalit, oyayi, kundiman, diona, dung-aw, soliranin, talindaw at iba pa
  • Epikong bayan — Alim, Bantugan, Biag ni Lam-ang, Ibalon, Kudaman, Labaw Donggon at iba pa

Two things follow from that placement. First, awiting bayan is treated as poetry, not as music. It sits in the Filipino learning area under sung verse from the pre-colonial period, and it is examined as a text. Second, it is not the same thing as karunungang bayan. A salawikain is a proverb; an awiting bayan is a song. Students lose marks for swapping them because the curriculum keeps them in separate bullets. Our Filipino curriculum guide explainer walks through how the learning area is organised across grades.

The Seven Types the Guide Names

The curriculum guide gives the seven labels and stops there. It does not define any of them. The definitions your teacher uses come from the textbook, module or learning activity sheet in circulation at your school, which is why two learners in different divisions can come away with slightly different wording for the same term.

With that caveat stated plainly, here is how the seven are ordinarily glossed in Filipino literature teaching:

TypeOrdinarily glossed as
DalitA devotional or reverent song, associated with worship and praise
OyayiA lullaby, sung to put a child to sleep; also called hele
KundimanA love song, characteristically plaintive
DionaA song for weddings and the rites around them
Dung-awA lament for the dead, strongly associated with Ilocano practice
SoliraninA rowing song, sung by boatmen
TalindawA boat song, sung while sailing or rowing

Soliranin and talindaw are the pair most often confused, because both belong to the water and both keep time with the stroke of an oar. If an activity sheet asks you to distinguish them, say what the textbook in front of you says and cite it, rather than trusting a list found online.

The phrase at iba pa at the end of the curriculum list matters too. It means the seven are illustrative, not exhaustive. A regional song type your teacher introduces is not disqualified simply because it is absent from the guide.

Examples by Language and Region

The songs below are widely used in Philippine classrooms and are ordinarily treated as traditional community material rather than as the work of a named author.

SongLanguage or region ordinarily associated
Bahay KuboTagalog
Leron Leron SintaTagalog
Magtanim ay Di BiroTagalog
SitsiritsitTagalog
Paruparong BukidTagalog
Atin Cu Pung SingsingKapampangan
PamulinawenIlocano
Manang BidayIlocano
DandansoyHiligaynon
Ili-Ili Tulog AnayHiligaynon
Rosas PandanCebuano

Two habits will improve any answer built on this list. Name the language, not just the island, because Hiligaynon and Cebuano are both spoken in the Visayas and a song belongs to a speech community rather than to a map. And where a type is asked for, match it honestly: Ili-Ili Tulog Anay is sung to a child and reads as an oyayi, while Magtanim ay Di Biro is a work song about planting rice and does not fit any of the seven neatly. Saying so is a better answer than forcing a label.

What Is Not an Awiting Bayan

This is where most submitted lists go wrong.

Lupang Hinirang is the national anthem, not a folk song. Its status is fixed in law by Republic Act No. 8491, the Flag and Heraldic Code of the Philippines, which governs the anthem including how and when it is sung. A statutory national symbol with fixed lyrics and a known composer is the opposite of an anonymous song carried by a community. Our flag ceremony guide covers the rules that attach to it in schools.

Sarung Banggi has a documented composer. It is Bicol's best-known song and it is constantly listed as a folk song, but Potenciano Gregorio of Albay wrote it. Accounts of its history differ on the date, with a longstanding tradition placing it in 1897 and later research by the Bicol historian Merito Espinas placing its completion on 10 May 1910. A song can be deeply traditional in use and still have an author. The safe formulation is that Sarung Banggi is a Bicolano song with a known composer.

The general test is provenance rather than age or popularity. If the song has a named composer and a publication or performance history, it is composed music that became widely loved. If it came down through a community without a single traceable author, it behaves like an awiting bayan. Where you are unsure, say which way the evidence points and why. That reasoning is the competency being assessed.

How You Will Be Asked to Analyse It

The Grade 7 first quarter competencies for Panahon ng Katutubo texts are specific, and they apply to an awiting bayan the same way they apply to a tanaga or an epic. The curriculum guide asks learners to:

  • identify the important elements — persona, metre and rhyme, figurative language and style — and the details of subject, content and idea
  • explain the implied meanings, symbols, figures of speech and imagery in the text
  • relate the key ideas of the poem to their own outlook, morals, character and human experience
  • analyse the important events in the text against the context of period, place and author
  • analyse the linguistic elements: metre, rhyme, tone and figurative language
  • analyse the cultural elements — symbol, language, norms, values and archetype — embedded in the text against the context of its period

That last one is the reason the pre-colonial framing matters. The question is rarely what the song means to you now. It is what the song shows about the community that sang it. A lullaby tells you about child-rearing; a rowing song tells you about work organised around water; a lament tells you about mourning practice.

Two Cautions Before You Copy a List

First, check the date on anything you find. The MATATAG Filipino curriculum guide is dated August 2023 and the implementing order is from 2024. Reviewers written against the older 2013 curriculum organise Grade 7 Filipino differently, and material written for the previous Senior High structure is now doubly out of date after the restructuring under DepEd Order No. 017, s. 2026.

Second, the curriculum guide is a short read. The awiting bayan list occupies a few lines in the Grade 7 section. If a slide deck and this page disagree, the guide wins. Our explainer on what a DepEd Order is covers how to tell which document is doing the operative work when two sources conflict.

Disclaimer: this is an explainer for learners and teachers, not a songbook. SchoolFinderPH does not host lyrics, sheet music, recordings or downloadable song lists, and does not issue curriculum materials. The official curriculum guide is linked below.

Sources

Ready to find the right school? Browse schools or compare programmes, tuition and reviews across hundreds of Philippine schools on SchoolFinderPH.

Frequently Asked Questions

What is an awiting bayan?

An awiting bayan is a traditional folk song carried orally through a community rather than published by a named composer. In the DepEd MATATAG Filipino curriculum it appears in Grade 7, first quarter, as one of three categories of literature from the Panahon ng Katutubo, alongside tula at karunungang bayan and epikong bayan. The curriculum groups it with the poetry of that period because folk songs are sung verse, analysed for persona, metre and rhyme, figurative language and style like any other poem.

What are the types of awiting bayan?

The MATATAG Filipino curriculum guide names seven and then says at iba pa, meaning the list is not closed: dalit, oyayi, kundiman, diona, dung-aw, soliranin and talindaw. The guide lists the labels without defining them, so the glosses your teacher uses come from the textbook or module in use, not from the curriculum document itself. That is why two classmates in different schools can end up with slightly different definitions of the same term.

Is Lupang Hinirang an awiting bayan?

No. Lupang Hinirang is the national anthem, and its status, lyrics and manner of singing are fixed by Republic Act No. 8491, the Flag and Heraldic Code of the Philippines. It has a known composer and known lyrics, and it is a statutory symbol rather than a song that grew anonymously in a community. Using it as an awiting bayan example is one of the most common errors in student work.

Is Sarung Banggi a folk song?

It is usually described as one, but it has a documented composer. Potenciano Gregorio of Albay wrote it, and accounts of its history place its completion in 1910, with an earlier tradition dating it to 1897. A song can be traditional in the sense of being widely sung and locally owned while still having an author, so it is safer to call Sarung Banggi a Bicolano song with a known composer than to present it as anonymous folk material.

Which grade level studies awiting bayan?

Grade 7, first quarter, under the MATATAG Filipino curriculum. The content standard for that quarter covers literary texts from the Panahon ng Katutubo together with expository informational texts, and the performance standard asks learners to produce an essay on a character from a text they read plus a draft comic book brochure. Awiting bayan is one strand inside that quarter, not a whole unit on its own.

How do teachers ask students to analyse an awiting bayan?

The curriculum sets six competencies for the Panahon ng Katutubo texts. Learners identify the elements and details of the text, explain its implied meanings, symbols, figures of speech and imagery, relate its key ideas to their own outlook and experience, analyse its events against the context of period, place and author, analyse its linguistic elements, and analyse the cultural elements embedded in it. A good answer therefore treats the song as a text with evidence, not as a memory of a tune.

Where can I get the official list rather than a blog list?

The MATATAG Filipino curriculum guide for Grades 2 to 10, dated August 2023, is published by DepEd and is linked in the sources below. The list of awiting bayan types appears in the Grade 7 first quarter section under Mga Tula sa Panahon ng Katutubo. Reading it directly is worth the few minutes, because the wording in reviewers and slide decks drifts from the original.